Showing posts with label Jane Eyre. Show all posts
Showing posts with label Jane Eyre. Show all posts

Friday, September 07, 2018

Five Minute Friday: RAIN


Today (after a bit of a hiatus) I'm linking up with the Five Minute Friday community, writing for five minutes on a given prompt. 

This week's word: RAIN.



One of the best openings in literature, I think, is the first page of  Charlotte Bronte's Jane Eyre. The first paragraph (spoken from Jane's point of view) goes like this:

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.

In a mere 62 words, Bronte shows us just how gloomy and tedious Jane's situation is:

"no possibility"; "out of the question"
"wandering ... in the leafless shrubbery"
"cold winter wind"
"a rain so penetrating" 

Then further down the page she goes on,

At intervals, while turning over the leaves of my book, I studied the aspect of that winter afternoon.  Afar, it offered a pale blank of mist and cloud; near a scene of wet lawn and storm-beat shrub, with ceaseless rain sweeping away wildly before a long and lamentable blast. 

Can't you just see the rain, beating down on an angle, relentlessly battering the bushes, while all that can be seen beyond the lawn is gray mist? This is not a refreshing summer shower that cools after a heat wave, or a invigorating spring rainfall that fosters new growth -- it's icy cold winter rain. What could be more depressing? What could more perfectly depict Jane's hopeless situation as the orphaned, unwanted relative of Mrs. Reed and her children?

 The best novelists draw us into the world of the novel so that we can feel, see, and hear just what the characters feel, see, and hear. 

Now that I think about it, another great writer also began one of his most famous works with vivid, atmospheric words about rain:

The sun did not shine. 
 It was too wet to play. 
So we sat in the house 
All that cold, cold, wet day.
 - from The Cat in the Hat by Dr. Seuss

Maybe this fiction writing thing isn't so hard after all. Just look out the window on a rainy day and start writing!


(By the way, if you're interested in reading my version of Jane Eyre, written Cat-in-the-Hat style, just click here.)








Friday, March 11, 2016

Downton Abbey, Jane Eyre, and the mad wife





(Warning: post contains spoilers)


 Downton Abbey ended last weekend after its sixth and final season. Like millions of other fans of the show, I loved it, and I'm going to miss it. Yes, I still have my DVD's, but it's not the same.

The grande finale episode was very touching and satisfying. Still, I'm left with this feeling that the Crawleys and their staff are going on with their life without us, and we're missing it!

In most cases I enjoy thinking about the characters moving on in life. It's fun to envision the three Crawley children fussing over Baby Bates and, in a few months, Baby Talbot; and to imagine Andy and Daisy's youthful romance unfolding alongside the possibility of Mr. Mason and Mrs. Patmore's not-so-youthful one.

But it's a little sadder to think about other characters -- like Lizzie.

If you don't remember a character named Lizzie, that's not surprising. She never appeared on screen, and she was mentioned only a few times -- only once, I think, by name.

She was Michael Gregson's mad wife.

 When Edith Crawley noticed London editor Michael Gregson showing a romantic interest in her, she picked up the phone and called his newspaper office to ask about his private life -- only to find out he was married. When she confronted him, he admitted he was married, but that his wife had been in an insane asylum for many years. 

The "mad wife" trope is, of course, best known in Jane Eyre. But at least in that novel, the mad wife's existence caused the characters some genuine moral misgivings. When Jane found out on her wedding day about Rochester's tragic secret, her choice was clear: he wasn't free to marry her, and she couldn't live in sin, so she fled to avoid temptation and reassert her own strength and dignity. And even Rochester had done the noble thing by taking his wife home and ensuring she was cared for, even though he had been tricked into marrying her.

But in Downton Abbey, the mad wife is just a plot device. Edith never shows one iota of sympathy or pity for Lizzie Gregson and never offers to distance herself from Michael to ease his moral dilemma. In fact, for him it barely is a moral dilemma. He does say, "Lizzie was a wonderful person. I loved her very much. It took me a long time to accept that the woman I knew was gone and wouldn't be coming back." But by the time we meet him, whatever struggle of acceptance he might have gone through is done: Lizzie is now just an annoying obstacle between him and Edith. I cringe at the scene in Season 3 when Gregson is fishing with Matthew and whining about his fate:


"Of course it's a lot to ask [that Edith get involved with him knowing he's married], but what else can I do? I'm prevented from divorcing a woman who doesn't even know who I am. Does the law expect me to have no life at all until I die?"

The practical Matthew replies, "You've been misled by our surroundings. We're not in a novel by Walter Scott."

Or a novel by Charlotte Bronte, either, apparently. Edith falls in love with Gregson; he tells her that if he moves to Germany he can divorce Lizzie ("You'd do that? For me?" Edith says meltingly...); then he disappears and is found dead, leaving Edith with a baby whose identity she must hide. The Edith-and-baby plotline comes to dominate the last three seasons.

Finally, in the end, Edith achieves true happiness: she finds love with a new man and gains a title of honour. I'm glad for her. 

But I feel very sorry for Lizzie -- because if we imagine the characters we know and love having an ongoing existence beyond the grand finale episode, then we have to imagine her having an ongoing existence, too.  And in 1925 it would have been a pretty bleak one. 


I know, I know: it's just a TV program with fictional characters, and with so many subplots the writer can't be expected to do justice to every single thread of the story. But it's still sad to see a person with a devastating mental illness treated as meaningless and invisible.

So I just want to say: Lizzie, I wish you well. I hope you've found a little bit of happiness in your life and that somehow you know you're more than just a speed bump in someone else's plotline.

 

Monday, February 09, 2015

"Jane Eyre" meets "The Cat in the Hat"

The other day I was reading The Cat in the Hat to Jonathan, and when I read the opening lines,

The sun did not shine, 
It was too wet to play.
So we sat in the house 
all that cold, cold wet day

they somehow reminded me of the first paragraph of Jane Eyre:

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question.



It was such a funny juxtaposition that I went on to ponder what the result might be if the story of Jane Eyre were written in the poetic style of The Cat in the Hat.  I had a lot of fun with this experiment, and this is what I came up with.  I hope you like it!

********* 

The sun did not shine, it was too wet to play.

So Jane sat in the house all that cold, cold wet day.

Living with her Aunt Reed was no fun for young Jane

‘Cause her cousins and aunt made their enmity plain.

Jane was their “poor relation”; they treated her badly.

They locked the girl up till she cried and screamed madly.

When released, Jane was angry and called her aunt mean.

Aunt Reed said, “You’re the worst child I ever have seen!”



So she called up the master of a school called Lowood,

And he took young Jane there for (he said) her own good.

She was cold, she was lonely, and so poorly fed;

Then her best friend got sick and ended up dead.

But Jane stayed there at Lowood till she was eighteen,

At which time she desired a complete change of scene.


She applied for a job as a paid governess

And when told that she got it, pumped her fist and said “YES!!”

So she travelled to Thornfield, a gloomy estate,

And arrived in the evening at twenty past eight.

Housekeeper Fairfax received Jane with great cheer

And said, “Adele and I are so happy you’re here!”

Adele was Jane’s student, a flighty young thing

Whom Jane had to teach pretty much everything.

Though the master, Rochester, was nowhere in sight,

Mrs. Fairfax told Jane that he was all right –

Just a little eccentric … and moody … and odd.

(But hey:  who among us is not somewhat flawed?)

He was not Adele’s father – Fairfax made that clear –

He looked after her welfare, though, year after year.


So with patience and firmness and scholarly vigor

Jane taught her young charge, and Adele’s brain got bigger.

Yet boredom set in, and Jane felt distressed.

Work was fine, life was pleasant – but was this the best?

She longed for the freedom of birds in the sky;

She felt passion for life that she could not deny.


Then one evening while walking, she saw a strange man

Riding past her on horseback as fast as one can.

The horse, seeing Jane, bucked sharply and fell;

The man crashed to the ground, shouting out “Bloody hell!”

He accused Jane forthwith of bewitching his steed,

But she stoutly denied having done such a deed.

The man said, “Harrumph,” climbed back on, rode away,

Leaving Jane there to ponder this end to her day.



But when she got home, she was soon made aware

The irascible rider had preceded her there.

The horseman was Rochester – in truth, her boss –

And a man, she had heard, that nobody dared cross.

He invited her in to his study to chat;

He was cranky and harsh, but she didn’t mind that.

She told him her past, which didn’t take long,

And he said that in hiring her, he’d done no wrong,

For Adele was improved; he was pleased with Jane’s work.

Then he told her “Get out!” and she thought, “What a jerk.”

But her feelings soon changed as she talked to him more:

Though he grumbled and growled and occasionally swore,

She sensed his warm heart and his depth of emotion,

And Jane soon felt for him the most fervent devotion.

He often would treat her as his confidante

And being in his presence was all she could want.

She listened and watched and gained Rochester’s trust,

For despite his dark moods, she was never nonplussed.



However, strange laughs now and then emanated

From a tower in the house – then quickly abated.

But Jane was assured that a servant named Grace

Was sometimes too loud as she worked round the place.

This lame explanation did not satisfy,

But Jane was reluctant to poke or to pry.

One night she smelled smoke and she rushed down the stair;

His room was in flames, but he slept, unaware.

She woke him and helped him extinguish the blaze;

He said he’d be indebted to her all his days.


Then Rochester invited some friends for the night

And from Jane’s observation, he seemed to delight

In a certain young woman – Blanche Ingram her name –

And it seemed quite apparent that Blanche felt the same.

Jane was sure they would wed, and if that mournful day

Ever came, she knew she’d be unable to stay.


Then Jane heard from her aunt, who had lost her one son

And now lay on her death-bed demanding Jane come.

Jane went to Aunt Reed, who, despite her sad state,

Still mustered up strength to condemn and berate

Jane, and tell her a rich uncle, living afar,

Had asked for her address.  Jane said, “That’s bizarre!

No relative wrote; I know nothing of this.”

Then her aunt, with a deathly and devilish hiss,

Said she’d withheld the letter out of hatred and spite.

Jane was hurt, and at first thought she very well might

Have just stayed back at Thornfield and not come at all.

But she gazed down and saw that her aunt was in thrall

To a bitter resentment she’d nurtured for years.

Jane kindly forgave her and kissed her, with tears.

She left her aunt’s house and to Thornfield she went,

Knowing there she’d discovered what “home” truly meant.


But Rochester’s marriage plans seemed in full swing,

And Jane knew that that could mean only one thing:

She’d have to leave Thornfield.  It just broke her heart

To think she and Rochester soon had to part.

Then he asked her to stay; she said, “I may be poor

And little, and plain, and completely obscure,

But I’m a free person.  I must leave this place.”

Then he gathered her into a loving embrace

And said she was his soul mate.  Jane hardly believed it,

But he offered his heart, and she gladly received it.

They planned to be married.  He wanted to hurry,

And although Jane was glad, there were moments of worry.

She had some misgivings – some things seemed not right –

But she set them aside in her joy and delight.



The wedding day came, she put on her white dress,

And they rushed to the church – but then, oh, what a mess!

When objections are asked for, we never expect

That someone will come forth and the wedding be wrecked.

But that’s just what happened:  up stepped a man

And put the kibosh on the whole wedding plan.

He said “Rochester’s already married, you see,”

And the minister stopped things immediately.

Rochester explained that he had a mad wife

Who’d been locked up in Thornfield for much of her life.

He’d been tricked into marrying, but found out too late

That his wife was a lunatic – what a sad fate.

He’d locked her away, tried escaping his pain,

And felt destined for misery till he met Jane.



Jane’s poor heart was broken, her dreams were now dead.

Where she’d hoped for joy, she’d found sorrow instead.

She could not live in sin.  She knew she must flee.

Rochester cried out, “But Jane, what about ME?”

She pitied and loved him but knew what was right;

She packed up and fled in the dark of the night.



Jane wandered alone, full of terror and dread,

Then she knocked at a cottage and asked for some bread.

The servant said no, but the home’s owner came

And helped her inside and asked her her name.

Poor Jane could not speak; she slept in a haze

And only recovered after several long days.

The parson who’d rescued her lived in that place

With his sisters.  Concern showed in each woman’s face

But the brother, St. John, was a cool, distant bloke.

While his sisters effused, why, he barely spoke.

They cared for Jane kindly, but he stood aloof,

Though he seemed glad to have her there under his roof.

She would not give her name nor explain her whole past,

So he bided his time:  it would come clear at last.


Jane got her strength back.  St. John offered a place

As a village schoolteacher; she accepted with grace.

She enjoyed her new friends and her new, quiet life,

Though her longing was still to be Rochester’s wife.

One day St. John came with some good news to share.

He’d discovered her name was really Jane Eyre,

And he also disclosed that the uncle (now dead)

Whom her Aunt Reed had mentioned upon her death-bed

Had left Jane some money.  She also discovered

That she was a relative to the girls and their brother.

She shared her inheritance with them, elated

To find out they were not just her friends, but related.



 Then St. John surprised her by proposing they marry.

He was heading to Africa as a missionary

And he thought Jane was suited to that kind of task—

But to Jane, the prospect was just too much to ask.

She could not marry him: he was more like her brother!

Her love was for Rochester and for no other.

She knew well that St. John was full of ambition

And would freeze her warm heart with his lofty, cold mission.

But she loved him – so, wanting to please him somehow,

She suggested a plan that might just do for now.

She would go as his sister.  But he said, “No way!

Why, that would be lying, and that’s NOT okay.”

He resisted all beggin’ and pleadin’ and whingin’,

For he was a cold-hearted dude, was our St. John.


But then Jane, just as she was about to succumb,

Heard a voice call out to her. She answered, “I’ll come!”

She knew that Rochester was calling her name,

And to go back and help him was her only aim.

She rushed back to Thornfield to find it in ruin.

Some servants soon told her of these latest doings:

The mad wife had set fire to Thornfield estate,

Then jumped from the wall – sudden death was her fate.

Rochester had suffered some burns and was blind.

Jane’s heart swelled with pity, but she knew her own mind:

She knew that with him she was destined to be

And would cleave to him whether or not he could see.



She found him, then reached out and gave him her hand.

He took it, cried out – he could not understand

Whether she was a ghost or the Jane he once knew,

But she soon reassured him that yes, it was true:

His own Jane was back, and her love was unshaken.

Though she’d left – rightly so – he was never forsaken.

And now, with no deep moral qualms to impede her,

Well, what do you think?  -- She married him, reader.

********************




Jeannie Prinsen 2015